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Roosebeck Satinwood Irish Flute Traditional Tuning *Blemished
Roosebeck Satinwood Irish Flute Traditional Tuning *Blemished

Roosebeck Satinwood Irish Flute Traditional Tuning *Blemished

Roosebeck Satinwood Irish Flute Traditional Tuning *Blemished
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BLEMISHED:  This beautiful satinwood Irish flute assembles in four parts. The upper two sections have a brass slide for additional tuning. The center section slides into the top and bottom sections and has taped and thread wrapped ends for a secure fit. Assembled flute is 26 inches closed; slide opens the flute to a 28.25 inch length. Case included.        

This flute is in the key of D. It is tuned to the traditional Irish scale, the F# is flat, the A is sharp, the C# is flat, and the bottom D is also quite flat. We designate this tuning as "Traditional" tuning. If you're looking for a flute with standard tuning, please look for flutes labeled "Standard" tuning. 

Actual instrument weight is approximately 1.0 lbs.

Made in Pakistan.

Scratch & Dent Savings!!!
Product codes ending in "-2" are Blemished. They are New and Unused with Superficial blemishes that may include, blisters in the finish, scratches, dents, stains, discoloration, rust or pitting on metals, imperfect glazes, non-structural repairs such as putty in nail holes, or other surface marks. The irregularity does not affect the playability or sound quality of the instrument. These are an honest value.

ADDITIONAL IMPORTANT INFORMATION:

This Flute doesn't sound right!
If you use fingering like a whistle, you'll find some notes of your Irish Flute sound "off." The traditional Irish flute is purposely tuned a bit flat. The F# is flat, the A is sharp, the C# is flat, and the bottom D is flat. Flautists believe these "off" notes came to the flute in the early 19th century. Explanations include: flutes were not originally played with "whistle" fingering; the "off" notes are a result of a 3-octave tempered scale; the "off" notes compensated for the flautist Charles Nicholson's method of blowing the bottom notes (G-D) more strongly than the A; and that the A and C# need to be slightly "off" in order to produce a good cross-fingered C-natural. Regardless of the reason, the traditional tuning for the Irish Flute is a bit flat.

Tuning a Flute with the Slide and Embouchure
Until you can produce good strong notes over the lower and upper octaves, don't worry about tuning. When you are ready, start by positioning the tuning slide so you produce a strong, full G at proper pitch. Beginners usually blow harder on the second octave causing it to sound sharp. With the flute, you don't blow harder to get the second octave; you adjust your embouchure by tipping your head up or down slightly, or by rolling the flute toward or away from you. Blowing down into the hole makes a note flatter, and blowing across the hole makes it sharper. Your tuning will improve, as your lip muscles strengthen and you develop a tighter embouchure.

Tuning a Flute with the Head End Cork
If the head-cork moves, your flute will get out of tune with itself (i.e., low notes not in tune with high notes). If this happens, use a 1/2-5/8" dowel apply steady, gentle pressure to move the cork. Keep the barrel section slid over the tuning slide so that you do not damage the slide. The cork is in the correct position when you are able to play both low B and high B in tune with each other.
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